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Cold Light  

Adapted from the novel by Frank Moorehouse

Cold Light $20.90 ex GST
$22.99 inc GST
Here comes Edith Campbell Berry, fresh from International acclaim at the League of Nations, handsome British diplomatic husband in tow. Look out 1950’s Canberra, she’s on her way to the top. Or is she?

The League was after all a failure, and hubby dear is a secret cross dresser and her long lost brother is a Communist agitator watched by a fledgling ASIO. Maybe those dreams of renewed diplomatic honour might take longer than she thinks to materialize. A lot longer. And so to be ‘acceptable’ she consults the Book of Crossroads, bungles her inner life, remarries badly, and compromises her career options.  

An epic story of national significance, Cold Light surveys the transformation of Australia from the post-WWII Menzies era to the mid-1970’s Whitlam government and asks timely questions about Australia’s relationship to women of vision and people of difference.

Ebook available from:

            
Cast : 4F, 19M, doubling possible

Currency Press | 978-1-76062-049-3 | Sales rights: worldwide, except Aust/NZ | PB

Author

Alana Valentine's writing has been awarded the 2004 Queensland Premier's Award for best Drama Script, 2003 NSW Writer's Fellowship, the 2002 Rodney Seaborn Playwrights' Award and an International Writing Fellowship at Shakespeare's Globe Theatre in London. She has also received a 2001 commendation for the Louis Esson Prize, a 1999 AWGIE Award, a residency at the Banff Playwrights' Conference in Canada, the ANPC/New Dramatists Award in NYC, a Churchill Fellowship for England and Ireland and a NSW Premier's Award. In 2012 she won the prestigious STAGE Award for Ear to the Edge of Time.

Her stage plays include Butterfly Dandy, Covenant, The Prospectors, Run Rabbit Run, Titania's Boy, Savage Grace, Row of Tents, The Conjurers, Ozone, Spool Time and Swimming the Globe.

Alana has written numerous award winning radio plays as well as episodes of the television series McLeod's Daughters and Fat Tuesday.

By Alana Valentine, from Currency Press - see all