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Author Profile

Biography

Hilary Glow has wide experience as a critic, acts commentator, dramaturg and academic. She has reviewed theatre and film for the print media, radio and television and is a regular arts commentator on ABC Radio National’s ‘Deep End’ program. As a dramaturg she has worked with Hannie Rayson, Andrew Bovell and Wesley Enoch among others. She has been a lecturer in Critical Studies at the Victorian College of the Arts School of Drama, and taught at the University of Melbourne in Australian Studies. She is currently Lecturer in Arts and Entertainment Management at Deakin University.


Platform Papers 19
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Platform Papers 19

‘Your Genre is Black’: Indigenous Performing Arts and Policy

Hilary Glow and Katya Johanson
 
Indigenous performing arts have developed enormously since the early movement in 1970 and now face a dilemma between fulfilling community responsibilities, which have largely motivated and supported this growth, and the new generation of professionally-trained artists achieving the artistic autonomy which are now demanding. Government funding for Indigenous work has to date been couched in terms of its contribution to employment, health and social good. Artists are now calling for an end to sympathetic indulgence of less-than-the-best in favour of a challenge of a place in the national and international arena. The authors examine these tensions and outline the hurdles yet to be overcome before a new cultural policy will be established that not only recognizes talent but promotes it.



Currency House | 978-0-98028-029-6 | Sales rights: Australia/NZ | PB
Power Plays
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Power Plays

Australian Theatre and the Public Agenda

Hilary Glow
 
Limited stock available, purchase direct from Currency Press.

The prominence and vehemence of public debate about Hannie Rayson’s Two Brothers has renewed the public interest in the power of contemporary Australian theatre. Not since the 1970s has there been such mainstream media attention on the work and role of Australian playwrights.

Power Plays capitalises on this moment of renewed and heightened interest by investigating the why and the how of eight contemporary Australian playwrights: Andrew Bovell, Patricia Cornelius, Reg Cribb, Ben Ellis, Wesley Enoch, Hannie Rayson, Stephen Sewell and Katherine Thomson. These writers are passionate about the theatre as a forum for public discussion and they interrogate current issues in their work. Their plays reflect the passing show of cultural, political and economic life in Australia, telling audiences something critical about what is going on: this is the state of play, this is what we are.

The author has conducted extensive interviews with these writers and offers an extended analysis of some of their recent plays.

Extract

Also available as an ebook:

                       


Resources
  • Article - Corrie Perkin's on  Power Plays as published in The Australian. theaustralian.news.com.au
  • Hilary has also written a five minute piece for Perspective on Radio National. You can get the transcript from their website.

Currency Press | 978-0-86819-815-6 | Sales rights: worldwide | PB