Thirteen concert pieces, of which eleven are AMEB listed, and dating from 1936 to 1993, by Colin Brumby, Dulcie Holland, Margaret Sutherland, Eric Gross, Miram Hyde, Ann Carr-Boyd, Leslie Larkum, Wilfred Lehmann, Michael Whiticker and Stephen Yates.

For open strings and harmonics. The first part of a progressive tutorial with exercises, tunes, duets, solo works, performance notes and entertaining illustrations. This volume is listed on the AMEB syllabus for Preliminary to Second Grade.

For half position. The second part of a progressive tutorial containing many familiar tunes—all exercises and solo pieces are played in half position. Listed on the AMEB syllabus for Preliminary to Second Grade.

For first position. The third part of a progressive tutorial for all double bass beginners—all exercises and solo pieces are played in first position. Listed on the AMEB syllabus for First to Third Grade.

Edited by Peter Jenkin, Patricia Pollett and David Bollard. One of the most significant works written for clarinet (or viola) by an Australian composer in the first half of the twentieth century, representing a break from the pervading English influence of the period towards a more consciously Australian form of expression. A constantly performed classic in the AMEB A.Mus listing. With notes on the composer and performance notes.

Edited by Marina Marsden and Robert Chamberlain. Haunting and enigmatic, this sonata for violin and piano features textures and harmonies alluding to impressionism. A major chamber work from one of Australia’s most influential composers. Published with assistance from the Ian Potter Foundation.