Grace Under Pressure is a verbatim theatre project about the workplace and training cultures that are making young health professionals sick—and which put patient lives at risk.
Acclaimed verbatim theatre makers David Williams and Paul Dwyer, in collaboration with the Sydney Arts and Health Collective, have developed Grace Under Pressure from interviews with doctors and nurses at various stages of their careers. Grace Under Pressure will open a critical space for conversation about these often taboo issues, and will be an important public intervention into medical culture, as well as a compelling, confronting, hopeful and deeply moving work of theatre.
Grace Under Pressure was co-commissioned by Seymour Centre and The Big Anxiety, and developed with the support of the Department of Performance Studies, University of Sydney. The Big Anxiety has been assisted by the Australian government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund.
DAVID WILLIAMS (Writer & Director) is a Melbourne-based theatre artist who crafts evocative performances from found materials such as interviews, archives, and transcripts of public inquiries. His recent works include Quiet Faith, built from conversations with Christians about religion and public life, Grace Under Pressure (co-written with Paul Dwyer), based on interviews with doctors and nurses about hospital workplace cultures, and Smurf In Wanderland, about football fandom and geographic belonging. Grand Theft Theatre, his collaboration with Pony Cam, was awarded Best Theatre, 2022 Melbourne Fringe, and played at the 2024 Adelaide Festival. Sincere Apologies, his collaboration with Dan Koop & Jamie Lewis, based on an original concept by David Williams & Roslyn Oades, premiered in May 2025 and is touring globally. SMALLER, his latest solo work, will premiere in late 2026.
He holds a PhD from UNSW, was the Curator of ATF2015, a winner of the Marten Bequest Traveling Scholarship for Acting (1998), a graduate of the Australia Council’s Emerging Leaders Development Program (2011), and a member of the 2015 Griffin Studio. His works have won Helpmann, Green Room and Drovers’ Awards. He was the founder and artistic leader of the performance group version 1.0, and co-created and produced all the company’s work from 1998-2012, including CMI (A Certain Maritime Incident), The Wages Of Spin, This Kind Of Ruckus, The Disappearances Project, and The Bougainville Photoplay Project. Other work includes: researcher on Black Diggers (QTC & Sydney Festival), codirector on The Tender Age (ATYP), dramaturg/co-devisor on Beautiful One Day (Ilbijerri & Belvoir), co-director on In This Fairfield (PYT), and co-director/dramaturg on A Sri Lankan Tamil Asylum Seeker’s Story... (Merrigong Theatre Company).
| Cast Info | 10F, 9M, (doubling available) |
| Genres | Drama, Naturalism / realism, Verbatim / close work theatre |
| Themes | Gender diverse themes, Political/Social themes, Large Cast |
| Audiences | Adult |
| Extent | 64 |
| Edition | CTS |
| Size | 137 x 210 mm |