A true modern classic from one of the twentieth century's most significant writers, Long Day's Journey into Night is an intensely autobiographical, magnificently tragic portrait of the author's own family - a play so acutely personal that he insisted it was not published until after his death.

One single day in the Tyrones' Connecticut home. James Tyrone Snr is a miser, a talented actor who even squanders his talent in an undemanding role; eldest son Jamie is an affable, whoremongering alcoholic and confirmed ne'er-do well; youngest son Edmund is poetic, sensitive, suffering from a respiratory condition and deep-seated disillusionment; and their mother Mary, living in a haze of self-delusion and morphine addiction.

Existing together under this roof, and the profound weight of the past, they subtly tear one another apart, shred by shred.

'Set in 1912, the year of O'Neill's own attempted suicide, it is an attempt to understand himself and those to whom he was irrevocably tied by fate and by love. It is the finest and most powerful play to have come out of America' Christopher Bigsby

Eugene O'Neill's play Long Day's Journey into Night was written in 1939-41, and first published in 1956 (after O'Neill's death in 1953). It was first performed at the Royal Dramatic Theatre, Stockholm, in February 1956, and had its first American production at Helen Hayes Theater, New York, in November that year. It won the Tony Award for Best Play, and O'Neill was posthumously awarded the 1957 Pulitzer Prize for Drama.

This edition includes a full introduction, biographical sketch and chronology.

'A shattering masterpiece... a truly great play, perhaps the greatest American play of them all' — Time Out

'One of the great family dramas of 20th-century American theatre, full of pathos and ruined grandeur' — Evening Standard

'Eugene O'Neill's masterpiece' — The Times

'The apex of classic American dysfunction family dramas... the ultimate family reckoning' — Guardian

'A slow-burn marvel with one of the mightiest father figures in the 20th-century American canon' — Telegraph

'A great chorale of loss, loneliness and waste... in its brutal honesty and its elegiac understanding it has a remarkable capacity to speak to all times, all places and all families' — WhatsOnStage

'A great, bloody slab of American family drama... a monumental testament to domestic agony' — The Stage

Best Play, Tony Awards

Pulitzer Prize for Drama