Shut up and listen. In exactly one minute and fifty-three seconds a solar flare will strike the earth—setting off a chain reaction incinerating every living creature on the face of the earth. But that’s not important right now. What’s important is this.
Welcome to the party to end all parties—where Blasko Tupper, teenage master of the dark arts has just kidnapped her entire school—including Motor-mouth and Suck-face, two geeks in lust and love who have until midnight to lose their virginity, escape through a cosmic wormhole and save the planet—in the other dimension. Everything goes according to plan, that is, until Blasko’s parents escape their cage and start transforming hysterical teenagers into mindless zombies. With a rock-pop score of songs like My Polar Bear, Heart Be A Radio and I’d Rather Be A Zombie, Motor-mouth Loves Suck-face is a musical comedy about hope, for the young and the young at heart. Did we mention the Bollywood diversion? Prepare to die.
‘Having two teenage geek girls sing to their geek hero boy… is actually completely radical and powerful… none of the male characters were undermined or emasculated by their positions… I don’t think I’ve ever seen that before in anything. Ever. Wow.’ Christian Leavesley, Artistic Director, Arena Theatre Company
ANTHONY CROWLEY began his career as an art director. He went to become an award-winning playwright, composer, designer, actor and director – creating theatre that has been performed all over the world. Playwriting credits include The Frail Man, Shadow Passion, Redemption, Pretty White Lies and the Velveteen Undertow, When Sand Becomes Glass, Motor-mouth and Suck-face; Apocalyptic Love Story and The Melancholy Keeper of the Deep, Deep Green. His musicals (book, music and lyrics) include The Wild Blue, Villain of Flowers, Nathanial Storm, The Journey Girl, Vincent: An A cappella Opera, Tribe, Super-Freaks and Motor-mouth Loves Suck-face; An Apocalyptic Musical. He has received numerous awards and prizes including the Wal Cherry Playwrights Award, an Australian Musical Foundation Scholarship, an Opera Australia Young Artists Residency, the Sumner Locke Elliot New Dramatists Prize, the R.E. Ross Trust Award, the Pratt Prize for Musical Theatre and the Victorian Premier’s Literary Award for Best Musical Theatre Script, as well as being short-listed for the Louis Esson Prize for Drama. His devised theatre includes several artist-in-schools residencies as well as his groundbreaking performance art installation, Picasso’s Children. He is a former Artistic Director of St. Martins Youth Arts Centre and a former music tutor for NIDA.
| Cast Info | 9F, 5M |
| Genres | Comedy, Black Comedy, Musicals / plays with music, Surreal/magic realism |
| Themes | Large Cast |
| Audiences | - |
| Extent | 96 |
| Edition | Standard |
| Size | 137 x 210 mm |