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It's the early 1990s and recovering addict Frankie Donnelly has just been sentenced to three and a half years in jail for dealing drugs. In the most unexpected of places, he discovers that the revolution is not dead. It's just sleeping.
The glamorous Mitford sisters once cut a swathe through pre-war high society. But as fascism rises and political storm clouds gather, the bonds of sisterhood are threatened by new and treacherous desires.
Nancy aspires to be a celebrated novelist, Diana and Unity fall for the dangerous, charismatic leaders of the far right in Britain and Germany, and Debo sets her cap at a Duke. Meanwhile, Decca crosses continents in her own passionate pursuit of love – but can she ever escape her sisters and her past?
Compelling, touching and witty, Amy Rosenthal's play The Party Girls explores the true story of a family riven by political extremism, and asks what it takes to stay true to your beliefs.
Jesse, an introspective Black playwright, finds his choices challenged when his boyfriend, Neil, a white Black Lives Matter activist, calls him out for his political apathy.
As passions and priorities collide, the two of them are forced to reckon with divisions of race and class, and the bravery it takes to love unconditionally.
Harrison David Rivers's play This Bitter Earth is an intimate, romantic and gripping drama that explores what it means to love outside the box.
In a run-down church hall with an OWL (Older, Wiser Lesbian) at the helm, the ragtag choir navigate love, loss and trying to agree on song choices. But despite their best intentions, they find that harmony comes at a price.
Meet Oskar, Rio and Hazel: three people getting on with their lives in different corners of the globe. They've never spoken. They've never met. But they're each about to experience a startling wild-animal encounter. One that will transform the way they think about their world.
From Norway's glittering fjords to Colorado's stunning peaks via Halewood's majestic Tesco, The Walrus Has a Right to Adventure is a swooping, soaring play about instinct, expectation and identity – and what it means to be truly free.
Clare has it all. She's a noblewoman living her best life in medieval Italy, trying out hairstyles, and sharing the latest gossip with her sister and maids.
Everything is on track for her to marry some super-rich nobleman and live super-richly ever after. But on the streets of Assisi, she meets Francis, who's sharing some of the wildest ideas Clare has ever heard. And when she listens to what he has to say, her eyes are opened to a whole new way of living.
Chiara Atik's play Poor Clare is a hilarious and off-beat comedy about wealth, sacrifice, and the cost of doing good.
Caitríona Daly's The Lunch Punch Power Hour in Conference Room 4 is a madcap, hilarious and insightful play about power structures, escapism and resistance.
These seven plays are some of 7-ON alliance's personal favourites. They were awarded, or gloriously produced, or a risky breakthrough, or still burn with intense relevance but never made it into print — until now.
From award-winning Palawa playwright, Dylan Van Den Berg (Milk, Whitefella Yella Tree, Way Back When), comes an Aboriginal Gothic Horror and bold adaptation – a radical reimagining of Barbara Baynton's 'The Chosen Vessel'. This alternate version of Baynton's classic Australian story provokes us to reflect on what we choose to see – and what we wilfully ignore.
In the 1970s, one enigmatic old lady wielded extraordinary influence, fighting against what she believed was the UK's moral decline. Armed with only a typewriter, this seemingly harmless grandmother took on the BBC and the 'godless media' in a culture war that divided the nation.
Inspired by real events, Caroline Bird's wickedly funny play delves into Whitehouse's most explosive battle – her infamous blasphemy trial against Gay News – and explores her formidable resolve to push back the tide. Was she a pearl-clutching prude or 'the most dangerous woman in Britain'?
Rafe and Pete have the kind of relationship people envy. Seven years strong, perfectly in sync… except for one little thing. Neither of them has ever been with anyone else. So, when they hatch a plan to scratch their proverbial itch, who better than mutual friend Michael?
After all, Michael does this… right? And his partner Andy knows… right?
What begins as an intellectual experiment in sexual exploration quickly escalates into a chaotic web of emotional vulnerability, betrayal and unanticipated desire.
A young trans man, struggling as he begins his medical transition, drops out of university and retreats to his quiet hometown. His friends are gone. The neighbours are watching. His body is changing faster than he can make sense of it... until a midnight screening of Frankenstein offers him a strange kind of salvation.
Staring into the monster's big, dead, sad eyes, something finally clicks: for the first time, he feels seen.
Vivid, witty and humane, Dear Young Monster is Pete MacHale's debut solo show, delving into fear, otherness, and what it means to embrace being the monster the world keeps telling you that you are.
Meet Lauren: a journalist reporting on a high-profile domestic violence case with a growing sense of unease. Now meet Luke, whom Lauren has asked to tell her story.
Lauren's been thinking about a series of sexual events from her adolescence, and something has started to crack. Are these experiences just part of being a woman, or are they trauma? And does Luke have what it takes to help her understand her own life?
Powerful and provocative, Red Like Fruit interrogates the role and impact of men's voices in women's stories and delves into the many contradictions and complexities of consent, complicity, patriarchy and memory in the post-#MeToo era.
Where is home, exactly? Tracing the lineages of disparate families resettled on these lands known as Australia, the plays in this collection seek to offer an answer. The long way home need not always be lonely. This collection includes The Village by Tasnim Hossain, Looking for Alibrandi adapted by Vidya Rajan, and Malacañang Made Us by Jordan Shea.
Tonight! A simple negotiation over an accident in a car park escalates into a brutal newsroom street fight. This is the end of the road for Brian Mathews and the end of the past for Real Time News.
When Brigid gets a call from her brother Niall in the middle of the night, she knows something's wrong. After he ends up in hospital, Niall moves in with Brigid as she helps him piece his life back together.
A treasure trove of prompts, provocations and practical exercises to help you spark new ideas, hone your craft and unleash your creativity.
In A Year of Creative Thinking, award-winning writer, director and film-maker Jessica Swale guides you through 366 fun and rewarding activities – one for every day of the year (including leap years!) – to fire up your imagination and flex your creative muscles.
Lip and Ruth have left the city behind for a new life on a farm; trying to live differently, live better. But when Ruth's stepdaughter and her incendiary best friend arrive, this quiet rural project is thrown into chaos, as conflicting visions of the future come crashing into the present.
Poignant and powerful, Mike Bartlett's play Juniper Blood explores the true cost of pursuing our ideals in an imperfect world.
Lost Atoms is a wild ride through a life-changing relationship, or Jess and Robbie's recollection of it. Together they scale the soaring highs and crushing lows, relive the beats of connection, the moments of loss. But are their stories the same? And can their memories be trusted?
Christopher Marlowe – rockstar of Elizabethan theatre and notorious spy for the Crown – danger and seduction combined. William Shakespeare – jobbing actor and promising young playwright – dazzled by Marlowe, but with ambitions of his own.
When the pair meet in the backroom of a pub to collaborate on a cycle of history plays, tensions rise as they navigate the perils of art under an oppressive regime, and flirt like young men with everything to lose…
An explosively entertaining duel of wits, words and powerplay, Liz Duffy Adams's Born With Teeth is a playful and daring imagining of the relationship between two literary icons.
The Pennington family haven't been in the same room together for seventeen years. But on the eve of William's seventy-fifth birthday, all three generations gather, hoping that the mistakes of the past can be consigned to history.
An errant daughter, an autistic son, and a second son that could never just grasp the nettle – William's children have always been a disappointment to him. With long-held resentments rising to the surface, and new problems unexpectedly presenting themselves, a family reconciliation may be some way off. But William knows he is running out of time.
The Meat Kings! (Inc.) of Brooklyn Heights carves into the dark underbelly of America's anti-immigration policies and the brutal sacrifices that drive the pursuit of prosperity.
Two raw and revealing plays about family, Ireland, secrecy and shame, by the award-winning playwright Carys D. Coburn.
Emma Woodhouse thinks she has it all figured out. Fresh from Oxford University and back in her hometown for the summer, she's ready to do what she does best: sort out everyone else's lives, whether they like it or not.
Her closest friend Harriet is a total dating disaster, her father keeps disappearing on mysterious errands, and George Knightley refuses to stop pointing out the flaws in her flawless plans. But Emma knows best... right?
Emma is Jane Austen's timeless classic of romance, friendship, and the tricky business of figuring out what truly makes us happy. Ava Pickett's irresistible adaptation joyously pulls the story into the twenty-first century, swapping drawing-room duets for dance-floor fillers.