Based on the testimony of dozens of old-girls from the Parramatta Girls Training School, this vibrant play is a joyous and harrowing dramatisation of the experiences of eight inmates and their reunion, 40 years later. Interspersed with song and storytelling, this is a tribute to mischief and humour in the face of hardship and inequality.
ALANA VALENTINE is an acclaimed dramatist and librettist working in theatre, musical theatre, opera and film. Described by Time Out as ‘an essential Australian dramatist, who writes the marginalised and oft-persecuted fringes of Australia into our dramatic canon with long-denied dignity and grace’, Alana has three plays on the NSW HSC Syllabus – Parramatta Girls (Drama), Shafana and Aunt Sarrinah (English) and Cyberbile (Design). Her play Letters to Lindy, drawn from the 20,000 letters in the National Library of Australia has had hundreds of amateur and school productions. Alana is particularly distinguished in her skills as a co-collaborator having worked in libretto and musical theatre such as Watershed: The Death of Dr Duncan (co-written with Christos Tsiolkas), Wudjang: Not the Past (co-written with Stephen Page) and Barbara and the Camp Dogs (co-written with Ursula Yovich) The latter won the 2019 Helpmann Award for Best Musical and Best Original Score, as well as numerous Green Room Awards. Her most recent plays are Nucleus, Wayside Bride, The Sugar House and arc for erth physical and visual theatre. Alana has chronicled her practice as a close work/verbatim theatre maker in Bowerbird: The Art of Making Theatre Drawn From Life. Her website is www.alanavalentine.com
| Cast Info | 8F |
| Genres | Australian History, Drama, Verbatim / close work theatre |
| Themes | First Nations, Significant female roles, Political/Social themes, Gender diverse themes |
| Audiences | Young Adult, Adult |
| Extent | 96 |
| Edition | Standard |
| Size |