Description

Savage Grace: During his residency at an Australian hospital, Dr Tex Cladakis, an American HIV specialist, meets bioethics professor Robert Bavaro. They clash over ethical issues, but despite or perhaps because of this, a passionate sexual affair develops between them. As Cladakis considers assisting the suicide of one of his terminally ill patients, the moral ground shifts and the stakes escalate, threatening their personal beliefs and the trust and love that is growing between them.

Love Potions: Three couples negotiate their way into intimacy, aided by tea, wine and chocolate. Love Potions has a pre-coital first half and a post-coital second, intercut with some naughty and very sexy verbatim revelations. More than a celebration of the nexus between sex and food, these clever, short plays are tender and passionate glimpses of human nature at its most vulnerable. Why do some people develop a sensuous relationship with their world and others remain indifferent to the subtleties of flavour, texture and taste?

Biography

Alana Valentine

ALANA VALENTINE is an acclaimed dramatist and librettist working in theatre, musical theatre, opera and film. Described by Time Out as ‘an essential Australian dramatist, who writes the marginalised and oft-persecuted fringes of Australia into our dramatic canon with long-denied dignity and grace’, Alana has three plays on the NSW HSC Syllabus – Parramatta Girls (Drama), Shafana and Aunt Sarrinah (English) and Cyberbile (Design). Her play Letters to Lindy, drawn from the 20,000 letters in the National Library of Australia has had hundreds of amateur and school productions. Alana is particularly distinguished in her skills as a co-collaborator having worked in libretto and musical theatre such as Watershed: The Death of Dr Duncan (co-written with Christos Tsiolkas), Wudjang: Not the Past (co-written with Stephen Page) and Barbara and the Camp Dogs (co-written with Ursula Yovich) The latter won the 2019 Helpmann Award for Best Musical and Best Original Score, as well as numerous Green Room Awards. Her most recent plays are Nucleus, Wayside Bride, The Sugar House and arc for erth physical and visual theatre. Alana has chronicled her practice as a close work/verbatim theatre maker in Bowerbird: The Art of Making Theatre Drawn From Life. Her website is www.alanavalentine.com