There's something a little strange about Else, like the way she sometimes flies around the room. Thank God for the exorcist.

Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky and a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.

Her mother, however, is a part of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter's expensive education – but at what cost?

Bernard Shaw's incendiary moral classic was written in 1893, but, after…

On the eve of July 4th, in the Hamptons, Elena is preparing to throw a party to celebrate her husband, Henry, as he unveils his latest architectural masterpiece. But their already vulnerable union is shattered by the unexpected arrival of a former student of Henry's, Mathilde, with whom he shared an intimate connection…

Hyltons' Caribbean takeaway is a much-loved restaurant in the heart of Liverpool. Built by Carol and her late husband into a bustling hub with a mouth-watering menu, it serves great food with a huge side-order of love. But in a world of delivery apps, street-food markets and gourmet curry goat, the old ways are changing. Liverpool is changing too, with a luxury apartment block about to be built over a local playing field. Anger is rising, nobody can agree on anything any more, and things are…

A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government. As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.

The Black Woman of Gippsland is a poetic and thrilling tale about the myths and half-truths that surround the figure of a 'white woman' said to have lived among the Gunaikurnai people of Gippsland in the 1840s.

A gripping new play from S. Shakthidharan (Counting and Cracking, The Jungle and the Sea) co-directed by Hannah Goodwin (The Curious Incident of the Dog in the Night-time, Never Closer), The Wrong Gods melds mother-and-daughter struggle with the economics of progress, asking, what are we worshipping? And what price will we pay?

Blackpool, 1976. The driest summer in two hundred years. The beaches are packed. The hotels are heaving. In the sweltering backstreets, far from the choc ices and donkey rides, the Webb Sisters are returning to their mother's run-down guest house, as she lies dying upstairs. When memories from their youth come flooding back, the sisters must confront their past and untangle a web of secrets, betrayals and profound emotional bonds.

In a hotel basement somewhere in Birmingham, three people – a nurse, a delivery driver and an entrepreneur – are attending a speed-awareness course to address their aggressive driving.

The family home is more than merely a building. It can be a destination of pilgrimage, an inherited investment, a repository of memory or even magic.

And, for brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they're doing just fine. That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble.