Daisy Moon—founder, president and so-far only member of the Batemans Bay Little Monsters Fan Club—is in a world of her own. She's the only girl she knows who hasn't got her period yet. She's the only one who can't afford tickets to see her idol Lady Gaga. She's the only one who feels like she doesn't belong. When the effortlessly cool Parker turns up and wants to join the Monsters fan club, Daisy's world is sent spinning into a strange and wondrous orbit.

August Strindberg's classic portrayals of secrets and lies, seduction and power – both written in the summer of 1888 – in brilliant new versions by Howard Brenton.

Patrick White's classic 1965 drama The Season at Sarsaparilla is 'a charade of suburbia', a play of shadows, rather than substance.

The Yellow Wallpaper - A recuperating woman, a misguided husband, a hideously papered bedroom.

Pinocchio - An epic adventure of danger, villainy and excitement, told through multiple characters, mask, puppetry, song and plenty of hilarious audience interaction.

Eva Di Cesare has adapted Abdel-Fattah's book Where the Streets Had a Name into a daring adventure of freedom and friendship, exile and courage, family and love.

Ellida—a lighthouse keeper’s daughter—is living a life of quiet desperation with her husband Dr Wangel in a coastal fjord town when a stranger from her past arrives, upsetting the fragile equilibrium she and Wangel had created.

All Jed’s friends have moved to the city, but he still lives with his two mothers in a small town. Since finishing high school, the frustrations of coastal life are looming large. And something is being hidden from him about the illness facing one of his mothers.

Pearl is the quintessential matriarch balancing family, business, and her love of karaoke. Enter her daughters: Zoe, in the throes of online dating, and making big life decisions; while Mei, a teenager, grapples with her identity in modern Australia. Tonight, Pearl reveals a secret that threatens to tear their family apart. 

Looking deep into the heart of Sydney and beyond, Jump for Jordan unpacks the experience common to countless second-generation Australians of being caught between two cultures. 

Three teenage schoolgirls go missing in Melbourne's hinterland. The clock is ticking, the search is on. One of the girls turns up days later. Confused and unkempt, she has no apparent memory of what happened and where her friends are. Sound familiar?