Years and years ago, Hope disappeared. Now, she's back. To find something she left behind. But in the People's Republic of Koka Kola – a world of dwindling resources, corruption and corporate giants – what happens to Hope?

In May 1926, Britain grinds to a halt, as workers down tools for the General Strike. The stage is set for a fierce battle over control of the news and who gets to define the truth.

In adversity, people come together. But when the system is stacked against you, how does anyone get by? With 14.5 million people (Joseph Rowntree Foundation 2022 Poverty Report) living in poverty in the UK, this is not fiction. It is reality.

A thrilling collision of music hall, cabaret and drag king swagger, Modest tells the true story of a pioneering megastar of the Victorian art scene.

Mark Evans' stage play Bleak Expectations is a hilarious, chaotic caper, featuring dastardly villains, preposterous names, pulse-quickening romances, heart-rending death scenes, and definitely, probably, hopefully a happy ending.

Adrift, isolated and insecure, Rachel and Nick scramble for new ways to connect. Can some playful, passionate pegging provide a pathway through the pitfalls of modern relationships and present the possibility of a deeper bond?

A funny, thoughtful, horrific and remarkable story of love, power, friendship, betrayal and every emotion in between. Frankenstein is a larger-than-life (and death) production celebrating and unleashing the monster in all of us. A visceral piece of theatre that grabs at your heart and soul and never lets go. 

Gareth Farr's play Biscuits for Breakfast is a tender, heartfelt drama about families – the ones we inherit and the ones we create – and the struggle to survive when times get tough.

Summer 1860, an elegant country house, a young boy is found dead in an outside privy. Over twenty years later, still haunted by the case, Jonathan Whicher from Scotland Yard visits the murderer. 

An innovative one-woman show exploring what it means to be human in an era of ecological disaster.