Lewis Carroll’s whirling, fantastical masterpiece is faithfully and beautifully recreated as a non-stop, madcap theatrical adventure for the whole family. This classic kids’ tale is now an all-new Australian adaptation by multi award-winning playwright Mary Anne Butler.

A gripping reinvention of Emily Brontë's classic that exposes a very different but essentially truthful side to two of literature's most electric lovers. 

This radical reworking of Christopher Marlowe's classic tragedy Dr Faustus brings together the original story of the man who sells his soul to the devil with a startling act of provocation by 21st-century artists the Chapman Brothers.

This musical adaptation is packed with memorable characters, catchy songs and brilliant storytelling for all school, college, youth-theatre and amateur groups looking for a ‘fresh, ambitious and inventive’ version of a much-loved classic.

It's 8 a.m. and a revolt is underway. The father is dying. The son is spying. The wife is cheating. The uncle is stealing. The mother is scheming. The dynasty is crumbling. One house. One fortune. One victor.

Idi Amin is the self-declared President of Uganda. When Scottish medic Nicholas Garrigan becomes his personal physician, he is catapulted into Amin's inner circle. A useful asset for the British Secret Service, is Garrigan the man on the inside, or does he have blood on his hands too?

Twelve-year-old Celeste - 'half French, half Chinese and all Australian' - travels to China to scatter her mother's ashes. There she meets her grandmother, Por Por, a ghost-hunter. When Celeste learns she may have inherited her grandmother's talent, she must decide whether to acknowledge her gifts and use them to save her family and friends, and if she has the strength needed for the job.

This unique take on Jane Austen's beloved novel is an adaptation like no other, drawing on over two hundred years of romantic pop history, and featuring six young women with a story to tell.

After thirty years of playing wife, Hedda is bitter and bored. When her estranged daughter, Thea, suddenly reappears asking for help, the present begins to echo the past and Hedda embarks on a path of destruction.

The Reds–once the powerless, now the powerful. The Whites–once the absolute rulers, now the powerless. The Romanov girls perform Chekhov to pass the time under house arrest. But what happens in this last house of existential chaos, youth versus age, hope versus paranoia, and love versus fear?