A play for two actors – and one octopus – Octopolis by Marek Horn is a fascinating and funny exploration of love, grief and what makes us human.

A homing pigeon with no sense of direction becomes the unlikely saviour of a young girl up against her first encounter with heartbreak.

Never Have I Ever is an explosive, savagely funny play which brilliantly skewers the contradictions of contemporary society, and the shifting sands of power and sexual politics.

A lonely kid in rural Australia, fair-skinned Sarah Jane Jones is deathly sure of two things: 1. She's the best dancer in the whole town of Chithole, and 2. She's a proud Aboriginal woman. There's very little proof of either of these things. So, when a long-lost photograph offers hope of her Indigenous ancestry, Sarah Jane high-tails it to the glitziest casino in Brisvegas. Her mission? To land a role in the First Nations burlesque spectacular: 'Blaque Showgirls'... by any means…

An uplifting ensemble comedy, Isobel McArthur's The Grand Old Opera House Hotel is a story of art bringing us together in hopeless circumstances, to the tune of some of the most popular opera songs ever written.

Five wildly different women gather in the muddy fields of the Highland Games circuit to compete in the obscure art of Backhold Wrestling.

It's 1671, and the charismatic and unpredictable Colonel Blood is planning the greatest heist of all time: stealing – in plain sight – the Crown Jewels from the Tower of London.

Lily's grandmother was a beauty queen back in Hong Kong. She doesn't care that times have changed, that Lily lives in a new country and a new century. She sees a granddaughter caught between worlds. So Poh Poh pushes Lily into entering the highly competitive Miss Peony, and no matter how hard Lily tries to wriggle out of it, her grandma won't take no for an answer. And to make matters worse, she's a ghost.

Two couples each invite a stranger into their homes in the hope of sparking new life. Instead, they find themselves threatened by invasion, alienation and abduction…

With breathless hilarity, Kimber Lee's untitled f*ck m*ss s**gon play jumps through time, wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling with history for the right to control your own narrative in a world that thinks it can tell you who you are.