On 23 October 2002, Chechen rebels stormed a theatre in Moscow, holding hundreds of theatregoers hostage. Three days later, in Newcastle, Australia, a young man staged an armed robbery in a bookshop.

It is no use, but William gives Isobel ninety minutes anyway. They were once married, but something happened. Something broke deep down in the mechanism of their lives together and, seeing no way to repair it, they threw it away. But perhaps they were too hasty. Perhaps there was something they could have done. Isabel just wants ninety minutes. 

Sarah can’t remember what happened in the gardens. Her memory is fractured, her husband Michael seems barely present and her parents-in-law, Yvonne and Patrick, are losing patience. What is it that she has lost and can she get it back?

Should the truth be pursued, whatever the cost? The idealistic son of a wealthy businessman seeks to expose his father's duplicity and to free his childhood friend from the lies on which his happy home life is based.

If history is told by the victors, the story of war is usually told by the blokes. Now it's the ‘sheilas' turn. Nearly a thousand Australian women had a part in the Vietnam War as entertainers, typists, consular staff and army nurses.

In a moment of glory at the 1968 Olympics, an Australian rowing team known as 'The Four Amigos' won bronze. Thirty-five years later, only two of the Amigos keep in touch. Then, the third Amigo turns up, ready to expose all about their past. And so the games begin…

Suzan-Lori Parks' play Topdog/Underdog tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

A thug and his junior partner in crime take a late night train from Perth to Fremantle, menacing passengers along the way. For an hour they own the train.

Rattigan's well-loved play about an unpopular schoolmaster who snatches a last shred of dignity from the collapse of his career and his marriage. Twice filmed (with Michael Redgrave and Albert Finney) and frequently revived.

In this trilogy, David Williamson explores community conferencing—a process which brings together the victims and the perpetrators of a crime in an attempt at some kind of reconciliation.