Two teenagers fleeing unthinkable dangers find solace in each other amidst the damaging confines of an asylum seeker processing centre. Their new 'home' offers a kind of safety, but very little in the way of humanity, and less kindness.

For two years award-winning playwright Lachlan Philpott collaborated with students from Newington College, Sydney, to bring their voices and worlds to life. Michael Swordfish is the exciting product of this collaboration: a play that traverses the tumultuous landscape of the teenage experience with a sober truth and darkly comic voice

In a dirt-dry town in rural Australia, a shot shatters the still night. A mother and her daughters have just welcomed home the man of the house—with a crack in the shins and a bullet in the neck. The only issue now is disposing of the body.

This one-person play of mirrors and mannerisms explores the strange world of the body double. It makes unique contributions to timeless theatrical concepts of images and representation. Lake Disappointment is an unusual new work about ego, self-fashioning, and illusions.

The Fleabag bites back. A rip-roaring account of some sort of female living her sort of life.

John Wilmot, Earl of Rochester. Charismatic poet, playwright and rake with a legendary appetite for excess. Yet when a chance encounter with an actress at the Playhouse sends him reeling, he is forced to reconsider everything he thinks and feels.

Shakespeare's heartbreaking tale of forbidden love, brought to life in a new production co-directed by Rob Ashford and Kenneth Branagh.

Tales of a City by the Sea uses poetry, tenderness and humour to explore the love between those who have choices, and those who do not. Language fails us when it comes to displacement and grief; yet Samah Sabawi’s language cracks grief open and remains present, like the sea.

John saw his brother Michael die. He seems to have forgotten it, until now. His brother Peter saw it too, but remembers things differently. Together, they revisit the past in search of a common truth. But this search has terrifying, unexpected consequences for them both.

Munarra is a black woman, thrown from the skies into the Dreaming so that she may heal her land, the mighty river Dhungula and her people. In the present day, the Yorta Yorta people are in court, fighting for a right to their land. Yanagai! Yanagai! is a war cry, the first recorded Yorta Yorta words spoken to the white men who went onto their land uninvited.