Sisters Connie and Ursula were once everything to each other. Years on, they're almost strangers.

When a family bombshell is dropped, Connie is forced to retrace forty years of sisterhood and confront a web of secrets and conflicting loyalties.

Three women, forty years, one ever-evolving bond.

Fake sick days, Stonehenge, roller skates, champagne and glow-in-the-dark stars.

The Tyler Sisters is a funny, heartening exploration of time, and the unassuming moments that make up our lives. Alexandra Wood's innovative play explores the deep and unruly waters of sisterhood. It premiered at Hampstead Theatre Downstairs, London, in December 2019.

'Lovely... what this play has, more than anything, is life' …

An innovative festive drama with original songs, The Last Noël captures the unique bonds of family and how coming together to share stories and a meal can be a modern Christmas miracle.

Grace's job is to prepare young men in juvenile detention to become fathers. But can Cain, Riyad and Jonjo grow up quickly enough to escape the system?

This unique take on Jane Austen's beloved novel is an adaptation like no other, drawing on over two hundred years of romantic pop history, and featuring six young women with a story to tell.

When the world map was full of gaps, the Amazon topped the list of places unknown to western explorers. In the twenty-first century are there any ‘unknowns’ left? On a trip to the Amazon, the writer ponders this and other questions as she struggles to deal with her father’s journey through Parkinson’s disease towards what is perhaps our last great unknown—death.

An ethereal family drama, Joe White's debut play Mayfly explores rebirth in the aftermath of tragedy. 

The story of Tom and Viv, their love and the life they’ve shared together – from first spark to dying light. But not necessarily in that order.

An extraordinary play that asks a simple question: is it ever possible to move on?

Kat gets up one morning, leaves her family behind and travels to London to carry out an act that will change her life and, she hopes, everyone else’s. Raw, disturbing and compassionate, James Fritz’s searingly powerful play forces a confrontation with some of the most urgent questions we face. What can one individual do to effect change? And where do we draw the line between absolute commitment and dangerous obsession?