The extraordinary story of the relationship between the famous dancer Vaslav Nijinsky and the impresario Sergei Diaghilev, drawing on an unproduced screenplay by Terence Rattigan. 

A play about political ambition and opportunism, the conflicts of class, the difficulties of breaking open long established systems, and the ways in which political expediency can lay waste to idealism.

Thursday’s Child is Tin, born on a Thursday and like the old nursery rhyme, has far to go. A strange and lonely child who digs, his wanderings take him underneath the earth into the subterranean tunnels that he’s pre-destined to roam. 

A hilarious new offering from Australia’s master of teen theatre, House on Fire is guaranteed to put a smile on your lips and light a small flame in your heart.

The Man of Mukinupin celebrates life in a country town at the time of the Great War, conjuring its light and dark sides into an old fertility dance.

A wild and twisted tale, full of exciting and intriguing challenges for drama groups wishing to stage their own production.

Mike Kenny's imaginative stage adaptation of E. Nesbit's much-loved children's classic.

Famously filmed, this story of a prosperous Edwardian family - mother and three children - forced into near-penury in the rural north of England captures the anxieties and exhilarations of childhood with great tenderness and insight.

Silvio wants to marry Clarice who has to marry Signor Federigo who’s really Beatrice in disguise who’s come to Turin to find her love Florindo and the whole sorry mess is about to get a whole lot sorrier when Florindo and Beatrice both unknowingly hire the same servant...

Salome, stepdaughter of King Herod, agrees to perform the mysterious and erotic Dance of the Seven Veils – but demands in return the head of the King's most infamous prisoner, Iokanaan (John the Baptist). To avoid censorship by the Lord Chamberlain, Wilde originally wrote Salome in French, and it premiered in Paris in 1896, while he was in prison. The play was finally seen in London in 1906, but has yet to gain the massive popularity of his comedies.

Jeremy Glass is an untroubled little boy until his seventh birthday, when he suddenly announces that he is really a grown man called Danny, who died some years before. How can his parents indulge his conviction that he must find his real family? And how can his eerie insistence on his true identity not resurrect painful memories for Danny's widow?