In the rural town of Tahmoor, Joe and Karim—father and son—farm Lebanese cucumbers on borrowed land. Both born in Australia and unmoored from their family's ancestral roots in Lebanon, Joe is satisfied with his lot, while Karim yearns for something more. When father and son are suddenly evicted, Abdul offers them shelter—and an unexpected path back to their heritage.

It's 1857, and the Australian Gold Rush is booming. Thirteen-year-old Yong and his father leave their small village in Guangdong, China, to cross the seas in search of fortune in the goldfields of Ballarat. But Yong doesn't want to be on this journey.

A gripping new play from S. Shakthidharan (Counting and Cracking, The Jungle and the Sea) co-directed by Hannah Goodwin (The Curious Incident of the Dog in the Night-time, Never Closer), The Wrong Gods melds mother-and-daughter struggle with the economics of progress, asking, what are we worshipping? And what price will we pay?

In a hotel basement somewhere in Birmingham, three people – a nurse, a delivery driver and an entrepreneur – are attending a speed-awareness course to address their aggressive driving.

It's 2042 and Australia is more automated than ever before. Janelle, a woman of Cantonese heritage, and her partner Harry, a First Nations man, move back into Janelle's family home after the death of her mother. As they attempt to navigate their lives, they find themselves assisted by the quirky AI controlling their home and a robotic therapy dog. 

Set beneath the shiny skyscrapers and shopping malls of Singapore, Golden Blood transports us into a seething underbelly of violence, drugs and chaos. As the orphaned siblings envision a future glittering with Chanel and Miu Miu bling, they'll also have to reckon with the half-remembered rituals they've inherited and confront the ghosts of their past...

Sonali Bhattacharyya's play King Troll (The Fawn) is a dark and dystopian exploration of migrant experiences in all their complexity – and the troll that lives within all of us, whispering 'me, not us', and definitely 'me first'

From South Sudan to Egypt to Belvoir St, this is the extraordinary journey of Mandela Mathia. Fleeing his war-torn home as a child, Mandela spent many years journeying, searching, and eventually finding his way to our stage. This is a joyful, poignant solo script, straight from the man who lived it.

Late at night. An empty street. A white man stops an Asian student. Fifty-six years later, another white man stops another student. Different men from different worlds. The same gnawing fear. Two plays. One story.

A Very Jewish Christmas Carol is a celebration of life—with a sprinkle of time-travelling ghosts, overbearing relatives and a life lesson or two.