A child is shut in her room, a dog is dead in the road, someone is kissing her brother in law. A family locked in hatred is sending a son to war. And meanwhile in another country…

A nursing-home conservatory. Sean sits alone, abandoned to his memories. In storms Patricia, a feisty woman with a zest for life and for handsome men in wheelchairs. A wary intimacy develops between the two, an unforeseen relationship, by turns charming and combative, tender and funny.

Four women from different moments in the twentieth century talk across time in Linda McLean's extraordinary play about faith, lust and family.

A thrilling play about the race to be the first woman in space.

A beautifully simple adaptation of one of Dickens's best-loved novels, bringing it thrillingly to life for the stage.

Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast moving kaleidoscope, more than a hundred characters try to make sense of what they know.

A ferociously gripping play that tackles the challenging moral issues of contemporary military occupation and its effect on the mental health of serving soldiers with startling insight.

Two plays by Lally Katz. Goodbye Vaudeville Charlie Mudd is an evocation of a forgotten past. Return to Earth tenderly captures the moment when a young person moves from childhood to adulthood. 

A disparate group of seven work colleagues in a local government office struggle to hold onto their dreams, as they desperately attempt to prevent being completely paralysed by their workplace, and by themselves.

The First Garden touches on key narratives in modern Australian identity, seamlessly incorporating Aboriginal rights, environmentalism, the Gallipoli legend and feminism into its gentle rhythmic tone. This reflects a maturation of our society, where we are prepared not only to acknowledge but also to reconcile.