Outgrowing - but still hopelessly devoted to - her family, Maggie befriends the disfigured Phillip Wakem, son of a local lawyer. But their fathers become embroiled in a bitter legal dispute that only the prosperous Wakem can win, and the Tullivers find fate dealing them the first harsh hand of many. With their father dead, the family must face up to their cold future together.

Two modern feminist classics by a writer who was amongst the extraordinary generation of British female playwrights to emerge in the 1980s. 'McIntyre's first Royal Court play, Low Level Panic, [is] a deft and funny all-female three-hander, set in a bathroom... In McIntyre's next play, My Heart's a Suitcase, which had its premiere at the Royal Court in 1990, the sense of invasion felt by the two female central characters is dramatised by characters called Pest and Luggage,…

Two powerful expressionist plays from the early career of one of the twentieth century's most significant writers. The Hairy Ape is a nightmarish condemnation of the dehumanising effects of industrialisation on the American people. All God's Chillun Got Wings is a vigorous social commentary based around a violently dysfunctional mixed-race marriage.

In a broken world, two girls meet an extraordinary creature. The Skriker is a shapeshifter and death portent. She can be an old woman, a child, a young man. She is a faerie come from the Underworld to pursue and entrap them, through time and space, through this world and her own.

A powerful expressionist drama from the 1920s about the dependent status of women in an increasingly mechanised society, based on the true story of Ruth Snyder.

Williamson turns his penetrating eye and sharply focused wit to issues of political correctness and sexual harassment. A serious comedy, Brilliant Lies is a stimulating contribution to the continuing debate on our changing social values.

Liz has retreated to the mountains from the furore created by her latest book. Her husband Gareth is driving to visit her but is shaken when a woman runs into the path of his car—the consequences for all three adults are far-reaching.

The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself.

In the winter of 1942, when 2000 American airmen are stationed near the small town of Warrabadanga, fifteen female workers battle to keep the biscuits baking. This rousing musical comedy showcases an entertaining slice of Australian social history.

An acutely observed but tender-hearted account of relationships and behaviour in a suburban pub bistro on a Friday night.