A true-life play about friendship, heartbreak and business enterprise... in a seaside brothel.

A tender portrayal of two women trying to start again after serving their time in prison.

Singing the Lonely Heart depicts an unconventional Southern upbringing and its inevitable clash with the narrow-minded attitudes of small town America—particularly its racial and sexual prejudices.

In Ozone, a man has been stripped of his skin just as the world is being stripped of its protective membrane of life-saving ozone. 

Songket: What happens when one person's culture is another's crime? 

This Territory was developed in the wake of the 2005 Cronulla riots through a six-month research and consultation process with young people across Sydney.

Between 1939 until the outbreak of World War II, nearly 10,000 Jewish children were taken from their families in Nazi-occupied Germany and sent to live with foster families in Britain. Diane Samuels’ seminal play, Kindertransport, imagines the fate of one such child. 

A dark and wickedly funny farce about one man's twisted attempts to find a woman he can control completely. Adapted from Molière's classic comedy The School for Wives by Liz Lochhead.

A terrified 12-year-old boy finds himself separated from his family in the unfamiliar streets of a war-torn city. Into his life steps Anna—older, street smart and scornful of his crying. As a way of shutting the boy up, she starts to tell him a story that she vaguely remembers from her own childhood.

Fast, wild and farcically funny, Lucy Kirkwood's first full-length play is a disturbing vision of a dystopian future. Sometime in the 21st century, England is dissolving into the sea. Amidst the chaos, one man clings to his traditional British values and his love of meat.

On their break, a cashier and her fellow workers flick through celebrity gossip magazines. 'See You Later, Celine,' says a headline. What's wrong with Celine? And how is her story connected to the story of an unknown woman on the facing page? 

An urgent play about the senseless killing of a black schoolboy, from one of the most distinctive voices in contemporary British playwriting.