In this trilogy, David Williamson explores community conferencing—a process which brings together the victims and the perpetrators of a crime in an attempt at some kind of reconciliation.

Beginning in early 1989 and spanning some twelve years, the play follows a team of peace negotiators attempting to resolve an ethnic conflict occurring within a fictional former Soviet republic.

Everyone wants to get to the executive suite. Everyone wants the Delhi job. Everyone wants sex, everyone wants love. So, they push for it.

In a bleak, remote town, a small child is murdered. Suspicion falls on nine-year-old Lizzie. Convinced her daughter is guilty, Lizzie's young mother must make the torturous choice between ignoring her intuition and presenting Lizzie to the police.

Francis Beaumont's The Knight of the Burning Pestle is a five-act satire on chivalric romances, generally considered the earliest whole parody (or pastiche) play in English.

A moving documentary play drawn from the traumatic recollections of members of the Newcastle Workers' Club, which was destroyed in the 1989 earthquake.

A violent tragedy by a contemporary of Nero, in a faithful and uncut translation by one of our leading dramatists.

Lulu is the story of the decline and fall of a young woman possessed of a fatal combination of sexuality and innocence. She passes from German and Parisian high society to the streets of Jack the Ripper's London – destroying, and ultimately destroyed by, her lovers.

One of Henrik Ibsen's most powerful studies of female psychology, The Lady from the Sea introduces the character of Hilde Wangel, who reappears in Ibsen's later play The Master Builder.

Alsemero has fallen in love with the beautiful Beatrice after a chance meeting in a church – but Beatrice has already been promised to another man. Unable to marry the man she loves, she employs the hated De Flores, her father's servant, to murder the man her father bids her marry. As payment, De Flores demands Beatrice. And then things get worse...