The local footy team of the small coastal town of Cutting Cove have spent so long at the bottom of the ladder they might as well be welded to it. This year, a new hope arrives for the Currawongs: the Marngrook cousins, Sonny and Jayma. Nicknamed after the Aboriginal game that inspired AFL, their natural talent promises the team's best chance at bringing the flag home for the first time ever. What will come with that flag, however, is the cruel reminder of a far greater loss in this country's…

LAZARUS is the extraordinary true story of Larry Walsh (Taungurung Elder, activist and storyteller) brought to life in a heartfelt and vital story that speaks to the soul of this country. The play follows Lazarus as he rises from the ashes of injustice to reclaim his story and his spirit.

Dear Son brings thirteen letters from First Nations men to life, imbued with humour, candour, and the spirit of truth-telling.

Saplings is collection of hilarious and heartbreaking stories about young people experiencing the youth justice system. It gives an honest, raw look into the adult consequences faced by some of our most vulnerable.

From award-winning Palawa playwright, Dylan Van Den Berg (Milk, Whitefella Yella Tree, Way Back When), comes an Aboriginal Gothic Horror and bold adaptation – a radical reimagining of Barbara Baynton's 'The Chosen Vessel'. This alternate version of Baynton's classic Australian story provokes us to reflect on what we choose to see – and what we wilfully ignore.

The Black Woman of Gippsland is a poetic and thrilling tale about the myths and half-truths that surround the figure of a 'white woman' said to have lived among the Gunaikurnai people of Gippsland in the 1840s.

A sharp and celebratory new play from Gumbaynggirr/Wiradjuri woman Dalara Williams, that pays respect to a generation that led the way, and to Black women who won't take a backward step.

It's 2042 and Australia is more automated than ever before. Janelle, a woman of Cantonese heritage, and her partner Harry, a First Nations man, move back into Janelle's family home after the death of her mother. As they attempt to navigate their lives, they find themselves assisted by the quirky AI controlling their home and a robotic therapy dog. 

A searing yet heartbreaking Indigenous Gothic that confronts the difficult reality of juvenile justice work.

Genderfluid protagonist E negotiates the space between the men's and women's change rooms. They flex in front of the cute pool attendant. As they step onto the diving blocks, the words of their Aunty come to them—and suddenly, the crystalline blue tiles give way to much deeper water.