The smallest tremble. A smashed glass. The ripping apart of space and time. Three couples. Thirty years. Mothers and daughters. Lovers, partners, husbands and wives. Babies, teenagers, birthdays, holidays, honeymoons, fireworks, near-misses, rain. This is a play about all of it.

Rhianna Ilube's Samuel Takes a Break… in Male Dungeon No. 5 After a Long but Generally Successful Day of Tours is a genre-blending play about colonialism, identity and the attempt to preserve the past.

Alice is done with fast fashion. Ben can't stop buying trainers. And Charlie just wants to sell out… one organ at a time. Billie Collins's play Peak Stuff is a fast-paced, funny, fearless deep-dive into consumer culture. In an age of retail therapy, climate crisis and click and collect - how does our 'stuff' define us? And have we reached peak stuff?

A Song for Ella Grey is a version of the myth of Orpheus that sings of the madness of youth, the ache of love, and the near-impossibility of grasping death. 

Sophia Chetin-Leuner's play This Might Not Be It is a candid portrayal of human lives at the mercy of our crumbling NHS.

A woman, shaken by a broken relationship, finds herself discovering love in the last place – and with the last person – she ever expected. Based on Jade Anouka's own experience, and told through poetry, HEART is a raw and honest exploration of love, loss and self-discovery, celebrating the resilience of the human spirit and the beauty of human connection.

This playful and surprising reimagining of Northanger Abbey is infused with the spirit of Jane Austen's original novel and fizzes with imagination and humour. 

This official tie-in edition to the Donmar Warehouse's acclaimed 2023 revival of Shakespeare's extraordinary psychological drama features rich and revealing behind-the-scenes material exploring how the production was conceived and developed.

1964: Richard Burton, the firebrand Welsh actor, newly married to movie star Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under the exacting direction of John Gielgud. But as rehearsals progress, the collaboration between actor and director soon threatens to unravel. One of them is the most famous movie star in the world; the other, a patrician from an earlier age of theatre. The stage is set for two titans to collide.

Bob and Fran Price have loved each other for 30 years. They have built a home and raised four strong children. At the end of it all, they are left asking: Was it worth it? Who are we, now that the children have gone?