The second collection of plays from the multi-award-winning Irish playwright, Enda Walsh, including The Walworth Farce, The New Electric Ballroom, Penelope, Ballyturk, My Friend Duplicity and Room 303. 

Two teenage girls shack up together in the haunted house of a small town. Swamped by loneliness, drug abuse and psychosis, it seems their life choices will repeat indefinitely. When they're joined by a more precocious and popular girl from out of town, it can only lead to … the basement.

Sam and Kelly live out west, waiting desperately life to begin. Bored one recess, the girls escape through a hole in the fence. Hanging out at the truck stop, a truck pulls up. The truckie's young. And hot. Sam issues Kelly a dare ...

At Guy’s London flat, friends old and new gather to party through the night. This is the summer of 1985, and for Guy and his circle the world is about to change forever. Deliciously funny and bittersweet, Kevin Elyot’s play captures the fragility of friendship, happiness and life itself.

Five plays are intertwined in one in this story of fringe dwellers living in an age of social, economic and moral deprivation. Mostly without work, and politically disengaged, they work at survival.

Lynn Nottage's Intimate Apparel is a multi-award-winning play about the empowerment of a black seamstress in New York City in 1905.

Parramatta Girls is based on the testimony of dozens of GTS old-girls. This vibrant play is a joyous and harrowing dramatisation of the experiences of eight inmates and their reunion 40 years later.

Eyes to the Floor chronicles the experience of girls sent from Parramatta Girls Home to the Hay Girls Home for even more brutal, punitive treatment. 

An arresting and angry look at conflict and its effect on soldiers returning home – to a world they no longer know how to cope with, and a society that doesn't know how to cope with them.

On a hot morning in Darwin, Ruben wakes to find his cousin hanging from the rafters. What follows is the story of a family, buffeted by constant tragedy, holding itself together—as their people have done generation after generation.

When a country house weekend takes a turn for the worse, Bertie Wooster is unwittingly called on to play matchmaker – reconciling the affections of his host’s drippy daughter Madeline Bassett with his newt-fancying acquaintance Gussie Fink-Nottle. If Bertie, ably assisted by the ever-dependable Jeeves, can’t pull off the wedding of the season he’ll be forced to abandon his cherished bachelor status and marry the ghastly girl himself!