How To Disappeare Completely and Never Be Found is a play that follows one man's desperate attempts to buck the system, and asks what really makes us who we are in the 21st century.

Each night two hoods ride a train to a wrecking yard on the outskirts of the city. Here, in this cemetery of stories, they are storytellers with the power to fast forward, pause and rewind. Tonight, they tell the story of three kids left in a car.

Five plays from around the country that illustrate the rich tradition of Indigenous storytelling as it flourishes in contemporary theatre.

Stolen tells of five young Aboriginal children forcibly removed from their parents, brought up in a repressive children's home and trained for domestic service and other menial jobs. Segregated from society from their earliest years, not all of them successfully manage their lives when released into the outside world.

A striking play from Northern Ireland about two women and the childhood tragedy they'll never be allowed to forget.

Adapted by Dickon Oxenburgh and Andrew Ross from Randolph Stow's classic novel, The Merry-Go-Round in the Sea captures the restless spirit of post-war Australia.

A biting, heart-warming comedy of love and fate in contemporary Montréal, in a version by Rona Munro.

A fiercely funny play about what it's like to be a young woman living, working, drinking, loving and having sex in the 21st century.

A satirical comedy of modern manners set in contemporary Dublin.

1965 and nothing much is going on in the ranks of the South Bendigo Communist Party. Even the presence of young recruit Martin Porter hasn’t changed anything. But Martin is an ASIO spy and he’s about to get his new friends into serious trouble.