It’s Toby Ackland’s birthday party down near the surf club—and that should mean heaps of grog, drugs and good clean fun. But by the morning a young girl is dead—raped by three boys and bashed with a rock.

A woman seeks revenge when the man she believes to have been her torturer happens to re-enter her life.

A young girl, Rowena, moves to a new country town and school. Although Rowena can hear, she is mute. Her widowed father has a penchant for satin cowboy shirts and embarrassing his daughter in public.

The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit in him, which has survived 'civilisation'.

Sybil, aka Spud, wants to be a drummer. She lives alone with her father, who refuses to discuss Sybil’s dead mother. Her reluctant friendship with an old woman helps both of them address their loneliness and deal with the future.

Muriel, an unhappy young woman in dismal surroundings, sets out to overcome obstacles such as her family, her joblessness, and her obsession with 70s glamour rockers ABBA. 

Two modern feminist classics by a writer who was amongst the extraordinary generation of British female playwrights to emerge in the 1980s. 'McIntyre's first Royal Court play, Low Level Panic, [is] a deft and funny all-female three-hander, set in a bathroom... In McIntyre's next play, My Heart's a Suitcase, which had its premiere at the Royal Court in 1990, the sense of invasion felt by the two female central characters is dramatised by characters called Pest and Luggage,…

Perestroika picks up the stories of Prior and Cohn from Part One: Millennium Approaches. Prior, overwhelmed by the responsibilties of 'prophet' placed on him by the angels, wishes that they would leave him alone. Cohn, now dying from the virus, continues to manipulate the system from his hospital bed. But who is left to look after them now? And does anyone still care?

A powerful expressionist drama from the 1920s about the dependent status of women in an increasingly mechanised society, based on the true story of Ruth Snyder.

Liz has retreated to the mountains from the furore created by her latest book. Her husband Gareth is driving to visit her but is shaken when a woman runs into the path of his car—the consequences for all three adults are far-reaching.