1604. A small village outside Oxford. Two boys have been murdered by local brute Brian Gunter at a football match and their mum wants justice. But Brian is also the richest and most powerful man in the village, and has an ego too fragile to tolerate public slander… A nasty feud begins, and when Brian's daughter Anne starts demonstrating strange afflictions, an allegation is made: she has been bewitched.

Red Pitch. South London. Three lifelong friends Omz, Bilal and Joey are playing football. Beyond their football pitch, local shops are closing, old flats are being demolished as new flats shoot up, some residents struggle to stay while others rush to leave. A coming-of-age story about what it means to belong somewhere, Tyrell Williams' fast-paced and sharp-edged play tells a powerful story about gentrification, regeneration and the impact of this relentless change on London's communities.

Tommy Murphy's stage adaptation faithfully captures the book's heart-wrenchingly honest portrayal of a fifteen-year relationship, but also succeeds in transforming it into a unique theatrical experience that is wholly his own. 

Drizzle Boy loves space. So does his companion, Space Bear, and his hero, Russian cosmonaut Valentina Tereshkova. The stars are far away from a world that unforgivingly pokes and prods him. Until Drizzle Boy is brought back to earth by Juliet, who enters his orbit on the first day of university.

With irresistible songs by legendary singer-songwriter Richard Hawley and a beautiful, hilarious and gut-wrenching book by Chris Bush, Standing at the Sky's Edge reveals the history of modern Britain through the stories of a landmark housing estate. It is a heartfelt exploration of the power of community and what it is we all call home.

The smallest tremble. A smashed glass. The ripping apart of space and time. Three couples. Thirty years. Mothers and daughters. Lovers, partners, husbands and wives. Babies, teenagers, birthdays, holidays, honeymoons, fireworks, near-misses, rain. This is a play about all of it.

1964: Richard Burton, the firebrand Welsh actor, newly married to movie star Elizabeth Taylor, is to play the title role in an experimental new production of Hamlet under the exacting direction of John Gielgud. But as rehearsals progress, the collaboration between actor and director soon threatens to unravel. One of them is the most famous movie star in the world; the other, a patrician from an earlier age of theatre. The stage is set for two titans to collide.

Malachi's been looking forward to a fresh start at uni for months. He's settling in, he's got a stack of books to read and he's met someone new – Kojo, a musician with a megawatt smile, who's basically perfect. But something doesn't feel right. He keeps having the same nightmare – sinking, crushed by the weight of the ocean – and it's getting worse… 

A great-great grandmother sold as a 'wife' to a white sealer. Her granddaughter, who buried her identity to survive the settler-colony. A young fair-skinned Palawa man, their descendant, seeking truths about their shared past. Bound by blood and borne by the winds of the Bass Strait Islands, they meet at the Island of the Dead. White history has swallowed their stories but they're here to wrest them back.

Backstairs Billy examines the fifty-year relationship between the Queen Mother and her most loyal, most outrageous servant, who joined her household at the age of fifteen.