THE GOOD AUDITION GUIDES:
Helping you select and perform the audition piece that is best suited to your performing skills
If you’re auditioning for a musical – or needing to choose a song to perform for an exam, showcase or drama-school application – it’s vital you find a song that shows off your voice and reveals your full potential as both a singer and an actor.
In this invaluable book, you’ll find comprehensive introductions to fifty of the best songs from musical theatre, for tenor/high baritone and baritone/bass voices, and in a variety of periods, styles, genres and tempos. Each song comes with detailed textual, vocal and musical analysis, and a practical performance guide to ensure you perform it to maximum effect in your own unique way.
Drawing on his experience as a performer, musical director and teacher at several leading drama schools, Paul Harvard gives his top tips for performing each song, note by note, moment by moment. He also recommends soundtrack recordings to inspire you, and tells you where to find the correct sheet music for your chosen song (please note: the book does not contain the sheet music itself).
The selection includes songs from acclaimed contemporary musicals such as Children of Eden and Pippin by Stephen Schwartz, Parade and The Last Five Years by Jason Robert Brown, as well as Martin Guerre, The Wild Party, Taboo and The Lion King – alongside many much-loved classics like Carousel, Fiddler on the Roof, 42nd Street, Kiss Me, Kate, and six of Sondheim’s masterpieces.
Also included is an extensive introduction to the process of choosing your song, preparing your performance and approaching the audition itself, along with many vocal and acting exercises to improve your technique and boost your confidence.
‘For anyone wishing to do justice to a musical-theatre role, and definitely for those wishing to work in this genre, this guide is a must’ Teaching Drama Magazine on Paul Harvard’s bestselling book Acting Through Song
‘Excellent… a wonderful addition for the up-and-coming musical artist. Auditions can be scary things, but after reading this book it may just allay your fears enough to see you through the process with a level head’
— Musical Theatre Review