‘It’s England really, isn’t it?
A climate without cloud and rain isn’t honest.’
In the ruins of a garden in rural England, in a house which was once a home, one woman searches for seeds of hope.
Mike Bartlett’s play Albion was premiered in October 2017 at the Almeida Theatre, London, in a production directed by Rupert Goold.
‘Something remarkable. Our country needs it’
‘[Has] a deeply reflective and humane quality to it: Bartlett draws his confused characters with a Chekhovian mix of wit and compassion… explores national identity through private mourning, and the meaning of the garden shifts, grows and deepens with the seasons’
— Financial Times
‘Scintillating… in the sometimes abrasive but always compelling Audrey, Bartlett has written a richly imagined female lead who can be mentioned in the same breath as the self-dramatizing Arkadina in The Seagull‘
— New York Times
‘A tragicomic paean to England and its discontents, novelistic in scale, combining the acute social observation of traditional British country-house drama with self-consciously Chekhovian grace notes. Downton Abbey meets The Cherry Orchard… a pastoral elegy with grand state-of-the-nation ambitions, [which] delves deep into conflicted notions of patriotism and nostalgia in post-Brexit Britain’
— Hollywood Reporter
‘A work of deeply absorbing emotional richness and symphonic density’
‘Fascinating, complex… what makes the play so enormously intriguing is that, as in his King Charles III, Bartlett shows us as a deeply divided people torn between the urge to preserve the past and to radically reform it’
‘Outstanding, thrillingly ambitious theatre’
— Broadway World