It's 1973, and Bill from Des Moines, Iowa, has arrived on the ferry at Dover. He intends to conquer the whole of the island, like Caesar attempted before him. As he travels the length and breadth of Britian, something strange starts to happen...

Ian Hallard's The Way Old Friends Do is a tender, laugh-out-loud comedy about devotion, desire and dancing queens.

After a workplace indiscretion shatters his elite footy physiotherapy career, Ard Panicker finds himself begging for work at a metaphysical health spa, selling Ayurvedic rubdowns to yummy mummies in Bondi.

Steven Moffat's play The Unfriend takes a hilarious and satirical look at middle-class England's disastrous instinct always to appear nice. 

With the help of her 'boomer' parents, Sophia takes the giant leap into the property market … but it's all about the fine print. And a global pandemic means a brand new deal. Now Sophia and Greg (her 'fiancé') must live with Sophia's parents as 'downsizing' bites and this reconstructed family get swamped by their own ambitions. Family, it seems, is a big deal … and this could be a bad one.

A family packs into a small house with a tangled history. Clive Judd's play Here is a tender, funny and utterly truthful story about family and feeling. 

Set on the windswept edge of Western Australia, Cursed! is an outrageously witty deathbed reunion scene of epic proportions. With her nan on her way out of this world, her brother Sebastian on his way out of the closet, her sister Marie losing track of the lies she has told, and her mother Dawn losing her grip on reality, Bernadette wonders if she will be the only one left with the capacity to hold this disparate family together. Or the madness to try.

Amanda Whittington's Ladies Unleashed is the third play in her Ladies Trilogy. It is a moving comedy about friendship, growing older and living for today.

Bea Roberts' blackly comic play Ivy Tiller: Vicar's Daughter, Squirrel Killer challenges our assumptions about who belongs and who thrives, and exposes the dark side of the rural idyll. 

As Ash painstakingly types out the narratives of petty crims, he begins to interrogate his own poor choices. That thing he did in an abandoned carpark. The visit to the horse knackery. Those people at the old folks home. All of it in service of one thing: making people laugh.

But as his own transcript unravels, Ash realises it's about making her laugh. His toughest audience. A heavy-drinking, chain-smoking behemoth named Heather Flanders. And her health is getting so dire it's, well…