On newly-declared terra nullius, a Priest, a Civilian and a Soldier watch an Aboriginal family.

This is a story told by those whom settler history has long spoken for; stretching from the violence of first encounter, to 'civil' captivity within the Aboriginal mission, to liberation on stage as the first professionally produced play written by an Aboriginal playwright.

A great-great grandmother sold as a 'wife' to a white sealer. Her granddaughter, who buried her identity to survive the settler-colony. A young fair-skinned Palawa man, their descendant, seeking truths about their shared past. Bound by blood and borne by the winds of the Bass Strait Islands, they meet at the Island of the Dead. White history has swallowed their stories but they're here to wrest them back.

History is about the heroes. Rainbow's End chronicles the lives of three generations of Koori women —unsung heroes who fight the good fight every day from their humpy on Yorta Yorta country.

Under a lemon tree, two teenage boys meet in the light of a full moon. Neddy, a wannabe warrior from the Mountain Mob, and Ty, a storyteller from the River Mob, are tasked with exchanging information about the strangers who have landed on their shores. Starting out defensively, full of teenage bravado, their uneasy friendship grows into tender love; they're young men on the brink of an adulthood that promises all love has to offer.

A lonely kid in rural Australia, fair-skinned Sarah Jane Jones is deathly sure of two things: 1. She's the best dancer in the whole town of Chithole, and 2. She's a proud Aboriginal woman. There's very little proof of either of these things. So, when a long-lost photograph offers hope of her Indigenous ancestry, Sarah Jane high-tails it to the glitziest casino in Brisvegas. Her mission? To land a role in the First Nations burlesque spectacular: 'Blaque Showgirls'... by any means…

First Nations Monologues brings together over 30 bold texts, each an excerpt from a play written by esteemed playwrights such as Jada Alberts, Kodie Bedford, Wesley Enoch, Andrea James, Leah Purcell, and many more. These gritty and poignant monologues, from a range of genres including comedies, dramas, and biographies, are selected from plays that have captivated audiences in leading theatres, often breaking box office records.

Jacky is a smart, enterprising young blackfella in the big city. He skilfully negotiates the gig economy, skipping neatly from office internships to cultural performances to sex work. When his unemployable little brother Keith rolls into town, Jacky's carefully compartmentalised lives are set to collide.

Boyd has been walking a tightrope for years—balancing responsibilities to Land and People with the simple business of making a living. But there's something happening, he can sniff it in the wind. Every year more and more folk are showing up claiming to be palawa too. No-one's heard of them until now… Where has this missing mob been all these years? Are they legit? Or are they 'tick-a-box'? Who decides? And how?

Set on the windswept edge of Western Australia, Cursed! is an outrageously witty deathbed reunion scene of epic proportions. With her nan on her way out of this world, her brother Sebastian on his way out of the closet, her sister Marie losing track of the lies she has told, and her mother Dawn losing her grip on reality, Bernadette wonders if she will be the only one left with the capacity to hold this disparate family together. Or the madness to try.

Young actor Breythe left Kalgoorlie dreaming of a dazzling career.

Now he's found himself starring in a controversial Australia Day ad that pays big, but draws the ire of his mob. 

Returning home, Breythe's just as alienated from country and lore. His cultural capital distances him from furious brother Mateo and activist sister Carina, all of them struggling with regret and responsibility after their father's death.